燭照“母親河”一一位行走在民間道路上的踐悟者

燭照“母親河”一一位行走在民間道路上的踐悟者
Insight into the "Mother River"--A Practitioner Walking on the Folk Road

作者: 董永俊

关键词: 喬曉光;民間美術;非物質文化遺產;中國經驗 Qiao Xiaoguang; folk arts; intangible cultural heritage;China Experience

摘要:喬曉光是中國非物質文化遺產教育事業的先行者，也是民間藝術的守望者，他秉持“知行合一，篤行致遠”的實踐精神，用雙腳探尋著“母親河”的本源，用雙手表達著樸素的美學，他試圖從民間去認識中國，追尋深植鄉土社會的文化創造和生命意識。本文以喬曉光的實踐歷程為線索，從民間美術思想學脈、非物質文化遺產保護傳承、鄉村女性藝術觀照與本土化敘事藝術創作等方面展開論述，呈現喬曉光在砥礪前行中創造的“中國經驗”及其用中國剪紙講世界故事的創舉。

Abstract: Qiao Xiaoguang is a pioneer in Chinese intangible cultural heritage education and a watcher of folk art. He upholds the practical spirit of "seeking knowledge by earnest practice". He retrieves the origin of the "Mother River" himself, and expresses his aesthetics in his aircrafts. He made China known to the world from the Chinese folk people. Deeply rooted in the rural area, his goal in art and sence of life is pursued continuously. This paper takes Qiao Xiaoguang's paper cutting as a clue, discussing from the aspects of folk-art ideological context, intangible cultural heritage protection and inheritance, artistic observation of the rural female and his localized narrative artistic creation. It also unfolds Qiao Xiaoguang's efforts in his"China Experience" creation and tells Chinese stories to the world with his unique paper-cutting.

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