藝術作為一種策略——黄金時期的早期瑞典電影研究

藝術作為一種策略——黄金時期的早期瑞典電影研究
Art as a Strategy: AStudy of Early Swedish Cinema in the Golden Age

作者: 譚慧

关键词: 瑞典電影史；早期瑞典電影；黄金時期；瑞典古典電影學派 Swedish film history; Early Swedish cinema; Golden Age; Swedish classical film school

摘要:第一次世界大戰後，瑞典電影異軍突起，迎來了黃金時期。這段時期的瑞典電影民族風格突出，以斯約斯特洛姆和斯蒂勒兩位集編、導、演於一身的奇才為代表，通過改編文學經典，彰顯自然景觀，以及植根現實社會等策略，成為了一戰後少數在好萊塢威脅之下還能獲得國際聲譽的國家。通過回顧和梳理黄金時期的早期瑞典電影史，文章探討電影媒介在瑞典是在什麼樣的契機下，通過什麼人，採用什麼樣的方式，率先進入藝術高地。

Abstract:After World War I, Swedish cinema emerged as a distinctive force and entered its golden age.During this period, Swedish cinema was characterized by its strong national style, with figures like Victor SjöstrÃm and Mauritz Stiller, who were multi-talented in screenwriting, directing, and acting. By adapting literary classics, showcasing natural landscapes, and rooting in the social realities, Swedish cinema became one of the few countries that could gain international reputation despite the threat of Hollywood. This research reviews and organizes the history of early Swedish cinema during the golden age, exploring under what circumstances, through whom, and by what means, the medium of film first entered the realm of art in Sweden.

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