音樂學家戴定澄早期音樂創作探究
A Study on Musicologist Dai Dingcheng's Early Music Creation
作者: 崔一騫
关键词: 戴定;合唱作品;音樂創作;《春雨》 Dai Dingcheng; Choral works; Music creation;"Spring Rain"
摘要:音樂學家戴定澄自1990年代初起,負笈日本、講學歐美,2003起應邀赴澳門工作後,持續著書立說,在歐洲早期多聲部音樂和澳門城市音樂文化研究中成果豐碩。當下,學術界對戴定澄音樂研究的關注頗多,眾多評述與文論,皆見光輝。然而,在戴定澄音樂生涯早期的80年代,曾有多部音樂創作,廣受好評,但學術界對此瞭解較少。本文以女聲三聲部合唱作品《春雨》為例,通過分析發現作品注重多聲部寫作的細節,旋律和聲、調性都有富於色彩的表现力。因此,本文認為戴定澄早期的音樂創作成果不僅是其幼時音樂實踐經驗和學習的積累反映,也是他音樂學研究成功的一個活水源頭,由此可理解其之後研究成果的重要成因。
Abstract:Musicologist Dai Dingcheng had been studying in Japan and delivering lectures in Europe and America since the early 1990s. After being invited to work in Macao in 2003, he has kept doing research, and has achieved a lot in his study of early European polyphonic music and Macao urban music. At present, the academic circles pay a lot of attention to Dai Dingcheng's music achievement, with great comments and approval. In the early 1980s, Dai Dingcheng composed many pieces of music, which were widely accepted. But this did not arouse enough attention of the public. Take the female three-part chorus "Spring Rain" as an example, this article analyzes the exuberant details in his multi-part writing----the melody, harmony, and tonality.Finally, this paper draws a conclusion that Dai Dingcheng's early music achievements are not only the accumulation of his experience and learning when he was young, but also a source of “living water”for his success in musicology. From this, we could get an insight into the reasons for his subsequent academic accomplishment.