民國上海遊藝文化與城市人文生態(1912-1936)
Amusement Culture and Urban Humanistic Ecology of Shanghai during the Republic of China Period (1912-1936)
作者: 姜岩
关键词: 遊藝;遊藝文化;民國上海;城市人文生態 amusement; amusement culture; Shanghai during the Republic of China; urban
humanistic ecology
摘要:民國時期,上海遊藝伴隨都市现代化進程逐步發展,從異域風物成功轉為本土產品,在這一過程中,上海赋予遊藝商業屬性、社會屬性與文化屬性,使其成為海派文化的重要組成部分,進而面向全國推廣,作為溝通社會團體、發展社會事業、傳播社會文化的平臺與媒介,反身形塑城市人文生態。具體而言,首先,遊藝場實現遊藝的商品化運作,完善上海市場格局;其次,遊藝品評面向社會大眾開放,完成新興市民階級的自我建構;最後,遊藝以遊藝會的形式聯繫政、商及社會各界拓展教育、公益與革命功能,反哺城市文化品格。實際上,民國上海遊藝文化也是“活的遗產”,以上海城市人文生態建設為核心的當下傳承應在這一脈絡下,沿著民國上海遊藝的發展道路做出新時代的創新與創造,“上海經驗”與“中國智慧”才得以在此合流,互為闡釋、交相輝映。
Abstract: During the Republic of China period, Shanghai amusement games were gradually developed along with the process of urban modernization, and were successfully transformed from exotic scenery into local products. In the process, Shanghai gave amusement games commercial, social, and cultural attributes, which became an important part of the Haikai culture, and was then promoted nationwide as a platform and medium for communicating with social groups, developing social undertakings, and spreading social culture, and in turn shaping the city's humanistic ecology.Specifically, firstly, the amusement park realized the commercial operation and perfected the market pattern of Shanghai; secondly, the amusement appraisal was open to the public and accomplished the self-construction of the emerging civic class;and lastly, the amusement contacted political, commercial and social sectors in the form of the amusement association to expand the functions of education, public welfare and revolution,and fed the cultural character of the city. In fact, Shanghai amusement culture of this period is also a "living heritage", with the construction of its urban humanistic ecology as the core of the current inheritance. It should be in this vein, along the road to make a new era of innovation and creativity, that is, "Shanghai experience" and "China's wisdom", which are merging in pairs and light each other up.