影視聲音聆辨:用聲音實現認同

影視聲音聆辨:用聲音實現認同
Film and Television Sound Discrimination:Constructing Ideology Through Sound

作者: 林濱

关键词:聲音設計；情感；情緒；心境；偏好；意識形態 Sound design; affect; emotion; mood; preference; ideology

摘要:一部影片要想獲得受衆認可，最有效的手段莫過於影片中製造的“情感”被認同。只有受衆與影片的創作者因該片而產生“共情”，纔有可能認可創作者通過影片表達的觀念與價值，從而認同或者接納其背後的意識形態。本文的研究思路:以影视聲音聆辨中的主客體互構理論作爲觀察切入角度，依據認知心理學中已被共識的認知與情感的相關理論，通過比較研究及案例分析法梳理影視作品“情感”的建構路徑。從而推得“情感”的建構路徑爲:通過刺激“情緒”+營造“心境”→實现“偏好”的建立↔形成“情感”認同。通過對案例的深入分析、推論和總結，我們得出結論:通過對聲音客體合理設計，不僅可以實現對主體情感認同的偏向控制，還能建構特定的意識形態。

Abstract:To gain the approval of its audience, the most effective way for a movie is to evoke emotions of the viewers. Only when the audience and the film's creators empathizes with each other over the film can they recognize the ideas and values expressed by the creator through the film, thus recognizing or accepting the ideology inherent in it. The research approach of this paper is using the theory of subject-object co-construction in audio-visual sound recognition as the perspective for observation, based on the widely accepted theories of cognition and emotion in cognitive psychology, the construction pathways of "emotions" in audio-visual works are sorted out through comparative research and case analysis methods. Thus, it is deduced that the construction path of "emotion" is as follows: by stimulating "emotion"+ creating "mood"→realizing the establishment of "preference" →forming "emotion" identity. Through the in-depth analysis, inference and summary of the case, it is concluded that through reasonable design of the sound object, it can help not only realize the partial control of the subject's emotional identity, but also construct a specific ideology.

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