敘述的狂歡--格非先鋒小說的敘述藝術

敘述的狂歡--格非先鋒小說的敘述藝術

Carnival of Narration: Narrative Art in Ge Fei's Avant-garde Novels

作者: 孫景鹏

关键词:格非 先鋒小說 敘事策略 敘述藝術 狂歡化 敘事學 敘述學  Ge Fei; Avant-garde Novels; Narrative Strategies; Narrative Art; Camnivalization;Narratology

摘要:除了學界關注較多的敘述空缺、敘述迷宫和重複敘事，格非較常用到的敘述藝術還有元敘述、複調敘事和互文敘事。雖然學界論述“元敘述”時，主要以馬原的先鋒小說為例，但格非的先鋒小說也運用了這種敘述藝術;雖然學界闡釋格非的“複調敘事”和“互文敘事”時，均以其“轉型”後的作品為例，但格非的先鋒小說也運用了這兩種敘述藝術。對於這六種敘述藝術，格非在創作先鋒小說時，自由調度、任意選用，從而使不同文體在小說中共生共存、多重聲音在小說中平等對話、諸多敘述藝術在小說中“輪番上演”;這既展现了格非對“形式實驗”的熱衷與堅守、對“形式自由”的執著追求，又呈現了格非小說在敘述上的“狂歡化”特徵。

Abstract:Beyond the widely studied narrative gaps, narrative labyrinths, and narrative repetition, GeFei's avant-garde novels consistently deploy three key techniques: metanarration, polyphonic narration,and intertextual narration. While discussions of metanarration in Chinese avant-garde writing oftenfocus on Ma Yuan, Ge Fei likewise adopts this approach in his early works. Similarly, thoughscholarly interpretations of polyphony and intertextuality in Ge Fei's writing usually draw on hispost-transformation period, these strategies are already at work in his avant-garde novels. In craftingthese works, Ge Fei freely orchestrates all six techniques-allowing diverse styles to coexist, multiplevoices to engage in dialogue, and varied narrative forms to alternate dynamically. Such practicereflects not only his enduring commitment to formal experimentation and pursuit of formal freedom,but also the distinctly carnivalesque quality of his narrative art.

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