權力、信仰與技藝:石窟藝術中國化的動力研究一一以河西地區爲例

權力、信仰與技藝:石窟藝術中國化的動力研究一一以河西地區爲例

Power, Faith, and Craftsmanship: A Study on the Dynamics of the Sinicization ofGrotto Art Taking the Hexi Region as an Example

作者: 李樹林

关键词:河西走廊 石窟藝術 美學體系 中國化 Hexi Corridor; Grotto Art; Aesthetic System; Sinicization

摘要:石窟藝術自傳入中國即開啓中國化進程，既保留印度佛教藝術基因，又融入中原審美與本土思想，形成獨立美學體系。其中國化動力源於“權力一信仰一技藝”的三重互動，統治集團借石窟營建將宗教作爲政治權力延伸;佛教與儒道等中國本土思想融合推動石窟藝術的轉型;中外雕塑、繪畫、建築技藝的碰撞催生創新。研究石窟藝術中國化的動力，不僅爲古代文明互鑑提供典型案例，也爲當代文化遺產保護及中華文化創新發展提供歷史參照與理論啓示。

Abstract:Grotto art initiated the process of sinicization upon its introduction to China. It retained theessence of Indian Buddhist art while integrating Central Plains aesthetics and local thoughts, thusforming an independent aesthetic system. The driving force behind its sinicization lies in the tripleinteraction of "power-belief-technique": ruling groups utilized grotto construction to extend religion asan extension of political power; the integration of Buddhism with Chinese indigenous ideologies suchas Confucianism and Taoism propelled the transformation of grotto art; and the collision betweenChinese and foreign techniques in sculpture, painting, and architecture gave rise to innovations.Studying the driving force behind the sinicization of grotto art not only provides a typical case for themutual learning of ancient civilizations but also offers historical references and theoreticalenlightenment for the protection of contemporary cultural heritage and the innovative development ofChinese culture.

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