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小劇場粵劇的“金蓮”現象與美學建構​——訪《金蓮》創作團隊

日期:2026-06-23作者:林觀星浏览:

小劇場粵劇的“金蓮”現象與美學建構

——訪《金蓮》創作團隊

林觀星

摘 要:小劇場粵劇《金蓮》在北京、上海、廣州、杭州等國內城市成功巡演引发了“金蓮”現象,展現出小劇場戲曲藝術的美學生命力與非遺活態化傳承的創造力,創作主體賦予粵劇新的表演屬性和藝術美學思想,進而在沉浸式劇場空間場域中拉近演員與觀者的審美距離。《金蓮》探討與呈現了“身體”“空間”“共情”在當代戲劇表演美學中的重要性,其中獨特的敘事方式、戲曲表演語言與氣氛營構為“金蓮”身份形象重塑和故事情節創新性演繹,觀者在感受與體驗角色思想的同時,實現了戲曲演員與觀者的情感交融。通過與《金蓮》四位創作人員進行學術對談,分別從編劇、導演及表演的角度詳細剖析該戲劇的成功之處,這對國家級非遺項目“粵劇”的當代轉化及跨文化傳播有一定參考與借鑒價值。

關鍵字:小劇場粵劇《金蓮》 “金蓮”現象 粵劇表演美學 沉浸式戲曲演出 非遺跨文化傳播

The “Jinlian” Phenomenon in Small Theatre Cantonese Opera and Its Aesthetic

Construction——An Interview with the Creative Team of Jinlian

LIN Guanxing

Abstract: The small-scale Cantonese opera “Jinlian” successfully toured various domestic cities such as Beijing, Shanghai, Guangzhou, and Hangzhou, triggering the “Jinlian” phenomenon. This event demonstrated the vitality of small-scale opera art and the creativity of the dynamic inheritance of intangible cultural heritage. The creative team endowed Cantonese opera with new performance attributes and artistic aesthetic ideas, thereby narrowing the aesthetic distance between the actors and the audience in the immersive theater space. Jinlian explored and presented the significance of “body”,“space”, and “empathy” in contemporary theatrical performance aesthetics. Its unique narrative style, opera performance language, and atmosphere creation were used to reshape the identity image of “Jinlian” and innovatively interpret the storyline. While viewers experienced and perceived the thoughts of the characters, they also achieved emotional integration between the actors and the audience. The author conducted academic discussions with four creators of Jinlian, analyzing in detail the success of the play from the perspectives of scriptwriting, directing, and performance. This has certain reference and value for the contemporary transformation and cross-cultural dissemination of the intangible cultural heritage project “Cantonese Opera”. 

Key words: The small theater Cantonese opera Jinlian; “The Jinlian Phenomenon”; Cantonese opera performance aesthetics; Immersive opera performance; Cross-cultural dissemination of intangible heritage

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