“執念”的當代化與當代的“執念”化 ——張曉琴《執念》讀札

“執念”的當代化與當代的“執念”化

——張曉琴《執念》讀札

吳 慮

摘 要：張曉琴教授《執念》中的“非遺”書寫，打開了“執念”內面的一組頗具辯證的想象力：現代性結構的攪動下，民間藝術的“執念”如何“去遺產化”而當代化；同時，這一“執念”所蘊含的穩定精神內核，又怎樣將當代生活“執念化”，重新編織起個體與各種社會狀況條件的情感連結。在敘述層面，本書經由“對話的隱沒”、主副文本交織互動等策略，潛移默化地形成了一種“成為他人”的書寫倫理，使“非遺”不再是靜態的遺產，而成為流動於當代生活的“有情”實踐。這一書寫實踐不僅記錄“非遺”的生存現狀，更致力於在當代語境中尋回原初“家園”，並為拓寬“新大眾文藝”的理解路徑提供新的視野與可能。

關鍵字：《執念》 “非遺”書寫 當代生活

The Contemporary Transformation of “Obsession” and the Obsessive

Transformation of the Contemporary：

Notes on Zhang Xiaoqin’s Obsession

WU Lv

Abstract: Professor Zhang Xiaoqin’s “obsessive” writing in Obsession unlocks a set of dialectical imaginings within the concept of “obsession”: how folk art’s “obsession” can be “de-heritage-ized” and contemporary-ized amidst the turbulence of modernity’s structures; simultaneously, how the stable spiritual core embedded within this “obsession” “obsessionizes” contemporary life, reweaving emotional connections between individuals and various social conditions. On the narrative level, through strategies such as the “subtle interweaving of dialogues” and the dynamic interplay between primary and secondary texts, the book subtly establishes an ethical framework of “becoming the other.” This process transforms intangible heritage from a static relic into a “sentient” practice flowing through contemporary life. This writing practice not only documents the current state of intangible cultural heritage but also strives to rediscover its original “homeland” within the contemporary context, offering fresh perspectives and possibilities for broadening the understanding of “new popular literature and art”. 

Key words: Obsession; Intangible Cultural Heritage Writing; Contemporary Life

【原文下載】【Download PDF】