加拿大華文作家陳河《天空之鏡》的
離散書寫及其時代意義
王 進
摘 要:加拿大華文作家陳河長期專注書寫當代華人新移民的異國生活經驗。其小說集《天空之鏡》收錄五個短篇故事,以華人行走文學的敘事形式,分別從不同國家和地區的跨界視角對當地華僑華人的生活狀況展開文學創作。現階段的相關批評過多關注對單篇故事“天空之鏡”的文化闡釋,對小說集本身的“拼盤”敘事與離散書寫缺少探討。本文以陳河的離散書寫為中心,從離散生活的書寫形式揭示和考察“行走世界”的空間敘事,從離散範式的敘事話語闡釋僑居經驗的敘事空間,並從離散敘事的時代意義探討文化認同的敘事建構。
關鍵字:陳河 《天空之鏡》 華人行走文學 離散書寫 時代意義
A Study of the Diasporic Writing and its Contemporary Significance of the
Canadian Chinese Writer Chen He’s Mirror of the Sky
WANG Jin
Abstract: The Canadian Chinese Writer Chen He has been focusing on writing about contemporary Chinese new immigrants’ experiences of living in another country. His collection of stories Mirror of Sky complies five short stories, applies the narrative form of overseas Chinese traveling literature, conducts literary writing on local overseas Chinese life from a cross-national perspective of five different countries and regions respectively. Current criticism focuses too much on the cultural interpretation of individual piece of story “Mirror of Sky”, while neglects the “assorted cold dishes” style of narrative and its diasporic writing. This paper centers on Chen He’s diasporic writing, examines its spatial narratives of “world travelling” from writing style of diasporic life, analyzes its narrative space of immigrant experience from narrative discourses of diasporic paradigms, and explores its narrative construction of cultural identification from contemporary significance of diasporic narration.
Key words: Chen He, Mirror of Sky, Overseas Chinese Traveling Literature, Diasporic Writing, Contemporary Significance
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