跨區域實踐:20世紀80年代以來澳門文學形象的建構

跨區域實踐:20世紀80年代以來澳門文學形象的建構
Cross-regional Practice--The Construction of the Image of Macau Literature Since the 1980s

作者: 霍超群

关键词: 澳門文學；形象建構；跨區域 Macau literature; image construction; cross-regional

摘要:20世紀70年代末,中國大陸迎來新變局。“台港文學”在新時期的大陸文壇風靡一時，由於相似的歷史命運常被並稱為“港澳台”的其中一翼一澳門一-卻處於失語的狀態。與此同時，國內外大量新移民湧入澳門，使得多股有所區隔的文學力量交匯於此。澳門本地的文化群體呼籲“澳門應該修建自己的文壇”與“建立澳門文學的形象”。這一理論宣導成為了日後澳門文學發展的原動力。此後開展的一系列文學實踐，看似本土性十足，實際上是“跨區域建構”的結果。從“跨區域”的角度理解20世紀80年代以來的澳門文壇建構的“歷史敘事”及其敘述的“歷史”，或可成為澳門文學研究的新的生長點。

Abstract: At the end of the 1970s, mainland China was ushered into a new era. "Taiwan-Hong Kong literature" became popular in the mainland literature in the new era. But Macau, which is often referred to as one wing of "Hong Kong, Macau, and Taiwan" due to a similar historical fate, became voiceless. At the same time, a large number of new immigrants flooded into Macau from both domestic and overseas, leading to the convergence of separate literary forces. Local cultural groups in Macau appealed for "its own literary scene" and "the image of Macau literature." This theoretical advocacy became the driving force for the future development of Macau literature. A series of subsequent literary practices, while seemingly rooted in local culture, were in fact the fruit of "cross-regional construction". Interpreting the "historical narrative" of the construction of Macau's literary scene since the 1980s and its described "history" from a "cross-regional" perspective, could offer a new view for the study of Macau literature.

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